Skip to main content

Reread somewhat juvenile Dinosaur Beach, which I enjoyed as a kid/teen

I was wowed by Keith Laumer's Dinosaur Beach in my early teens, and have been curious whether I would still enjoy it as a much more advanced-in-years adult. It was definitely a mixed bag, but I'm glad I reread it both because I did enjoy aspects of it, and it is pretty interesting to see what held up to more informed attention, and to identify it. (Hence this blog entry... (-: )

Some of what I say below might constitute spoilers. But I think what I reveal is in such general terms that I think they might make up for the surprise of their presence with curiosity about how the delivery of the revealed items were implemented. None the less, still spoilers.

My reservations with this book are of the sort that pulp novels generally suffer - shallowness in characterization and connection, and particularly endemic to science fiction, shallowness in the science.

I think the latter - specifically, shallowness in time travel theorizing - was not contrary to Laumer's purpose and style. I do not think he was or intended to be serious about time travel theorizing. Rather, that theorizing was more of a playful game, one that provided a backdrop for the thing that I think was so compelling for me as a young reader, and one of the main things I actually enjoyed while rereading it now: intricate layering of "wheels within wheels" plotting that I feel is inventive and intriguing. To a degree.

So here's two things I can identify that I enjoyed:
  1. Laumer actually achieved surprising twists in what could have been monotonous layering of forces at work. In particular in the denouement, the agents of the deepest layer did something that the other layers did not, in a way that was foreshadowed but still evocative and thought-provoking.
  2. Some of the extremely isolated and distinctive scenes – like various ends of time including Dinosaur Beach or successively more remote futures, or disconnected time pockets – had some visceral and poetic substantiality. (Like another obscure but evocative and favorite old sci-fi read, Gordon R. Dickenson's Sleepwalker's World, much of the action happens in isolated twilight of one sort or another, and I find a kind of appealing quiet in the read, even though in these books it's often intended to be ominous or just full of outright duress...)
In its perfunctory characterization and silly theorizing I would say this book qualifies well as pulp science fiction. That I found the plot layers intriguing puts it well ahead of much of the other pulp. 

That said, there are many other favorites that I would recommend well ahead of this one. I recently mentioned my reread of Frank Herbert's The Dosadi Experiment, and I think that's an excellent book, yet maybe for a particular taste, not a general introduction. I'm considering rereading another old favorite, John Brunner's Stand on Zanzibar. I'm very curious to see how that stands up. Like Dosadi, I've reread that at various points (though not as many times as the former), and I've enjoyed it. It played with "new-wave" fragmented and provocatively disorienting storytelling in ways that were new to sci-fi (though not to contemporary fiction), and which were worth my while in how things tied together. I look forward to it...

Comments

Popular posts from this blog

Blogger silently drops comments submitted by Safari in embedded-comments mode

We've noticed that comments submitted from Apple Safari (Mac or iPhone) are dropped without any notification if the blog is set with Comment location = Embedded. Having set it to Pop up (I think), it worked. We're going to try some more tests. That's what this post is for! From the comments testing we discovered some useful things: Using Comment location = embedded: Is necessary to enable replying to specific comments. Comments posted from Safari (laptop or iOS) are silently dropped. It looks to the person posting the comment that it went through, but the blog moderator sees no sign of it at all. Using Comment location = Pop up or Full page: Inhibits option to reply to other comments – no comment threads Enables comments from Safari The trade-off is clear. Losing comments from people who think they submitted them successfully is not acceptable. Particularly from a prominent browser (currently estimated to be a bit less than 4% of users). I just hate to lose comment threadin...

A Contemplative Movement Online Score

Barbara Dilley developed a shared dance/meditation practice called Contemplative Dance Practice – CDP, a "dancer's meditation hall". I've been exploring adaptation of this score for online sharing. The aim is to share meditation and movement across the gap of social distancing. (See below the score description for online meeting logistics and further info about the practices.) (The framing of this score is a work in progress, continuing to change. Revision information is at the bottom.) Score Description The score is divided into sections. At the beginning of each timed section the facilitator says which section it is and arranges for a bell to sound at the beginning and the end of that section. Opening Circle : Time for brief introductions / check-ins and to review the outline of the score (essentially, the bold headers below). Meditation: 15 minutes for stillness . In the original score the participants share sitting meditation. We invite whatever meditat...

Exploring Adaptation of the Underscore for Online Practice

I had early experience with the  Underscore  a few times while  Nancy Stark Smith  was developing it, before she found a name for it. Since those early days it has gotten a name and continued to grow, and it has become a practice for many, many groups around the world. I have been leading Underscores for the DC Sunday jam almost every month since the December 2013. I love how the Underscore works, love the sharing situation that it tends to foster. In recent days of the Coronavirus quarantine, a group exploring sharing of movement online has started to explore adapting the Underscore for online sharing. I've had the opportunity to try what others are doing, and an opportunity to adapt it for an online session myself. I wonder, can we arrive online at the often open and receptive shared presence if can foster? I'm not sure, but believe that something is possible. Whatever we discover, I know it will be different from an in-person Underscore. Online meetings are diffe...